Some people come to the joy of writing fiction from a lifetime of non-fiction. Journalists write what’s sometimes called Literature in a Hurry. Most of us turn toward fiction as some point in our careers, and some stay in the land of invented story for good. Hemingway is the classic example of a journalist turned novelist.
There are good connections between the two types of writing craft, but even a non-journalist can benefit from the work of these dutiful scribes. In a recent issue of The Writer, writing teacher Ruth Moose talks about what makes a good short story. Even amid lots of generalities, the article gives some good advice about stories starting with an idea. Some, she writes, start with an article from the paper.
One way to jump start a story is to take from the newspaper an item of some small event that actually happened. Here you have your Who, What, When, and Where. . . you just don’t have the WHY. That’s where you, the writer, come in. You change the names and places and fill in the Why. Make up the characters involved from your imagination, then let those characters carry out your story. When your story is finished, even you won’t recognize the newspaper item that triggered it.
I have a file in my drawer that contains curious start points for stories, clipped from a paper’s pages. These days you don’t even have to go for the scissors, since so much journalism is online. When you’ve found your “lotto winner is identified as escaped convict” idea, you can just copy it as a file to read from your computer.
Are there copyright issues here? No. Copyright protects expression, not ideas. (Concepts are a gray area, but reports of public matter don’t enjoy such protection.) The important thing here is to understand that a good idea will spark work toward characters. Journalists offer up short story ideas every day. Look for the people in the stories and imagine their lives.